Palazzo Barberini in Rome has expanded the areas open to the public

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Palazzo Barberini has formally expanded to incorporate 11 new rooms which had been beforehand off-limits to the general public. Up till lately, the area had been occupied by the Italian navy’s officer membership, who ceded it to the museum.

Palazzo Barberini. Picture by ©Gim42/Getty Photos

Earlier than making their debut, the rooms, which initially served because the quarters of the Barberini household cardinals, underwent a two-year restoration. They embody l’Appartamento Nuovo, nicknamed “del Ponte” or “of the Bridge,” a moniker impressed by its view of Bernini’s Ponte Ruinante; the opulent Oval Room, additionally by Bernini; the Throne room; and the Barberini chapel. The remaining chambers, in the meantime, get their names from their decor, just like the Japanese-inspired Japanese Room. All sprawl out over 750 sq. metres on the palace’s south wing and overlook the gardens.

The Borromini Staircase. Picture by Alexandra Bruzzese

As well as, guests will be capable to exit the museum by way of Borromini’s beautiful helicoidal staircase, additionally newly-accessible to the general public. The Baroque masterpiece boasts Doric columns dotted with small bumblebees, the household’s heraldic image.

The staircase is now open to the general public. Picture by Alexandra Bruzzese

The Palazzo can also be dwelling to the town’s Galleria Nazionale d’Arte Antica, laden with work by legends like Caravaggio and Raphael. To have fun the inauguration of the rooms, the museum has curated exhibition Eco e Narciso, a collection of self-portraits and portraits from its personal assortment displayed alongside modern items borrowed from the Museo Nazionale delle Arti del XXI Secolo. The present unfolds within the newly-debuted areas and is billed as “a radical examination on the theme of identification within the banal, obsessive age of the selfie.” It runs till 28 October 2018.

L’Appartamento Nuovo at Palazzo Barberini.

Commissioned to mark the noble Barberini household’s rise to energy within the 17th century, Palazzo Barberini noticed architects Carlo Maderno, Gian Lorenzo Bernini, and Francesco Borromini all contribute to its design. Spectacular ceiling frescoes, like Pietro da Cortona’s Triumph of Divine Windfall, adorn the inside.

By Alexandra Bruzzese

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